You're probably aware that we are drowning in an ocean of mediocrity. Yes, I know, there's mediocrity all around us; the TV, the music business, in fact everywhere you care to look. But I'm talking about mediocrity in 'literature', as if that term actually means something these days.
Once upon a time, not so long ago, 'literature' was a respectable part of the art world. Authors were mysterious intellectuals, removed from society, tortured souls poring over their foolscap notepads with quill in hand. They were just names, often widely-known ones, like A-list celebrities with no public face, controversy or paparazzi. The authors' agents, dark figures sifting through their ever-growing slush pile of tales, held sway over a global industry from behind locked doors. The authors' publishers were equally elusive, a forbidden realm for those with literary aspirations, with the ability to put their clients names right into the homes of the reading public and on billboards throughout the nation.
This 'literature' industry is still there, bubbling away to itself, but in the last decade or so it has seen a tidal wave of competition. Not competition from merely the digital revolution, which it has successfully embraced, but the empowerment that technology has brought to the 'independent' author. Mainstream publishers, and many mainstream authors too, are vocal in their opposition to the evil of 'self-publishing'. Indie authors are a demonic race debasing the art of 'literature'. Traditionally, publishers have regarded themselves as the gatekeepers of this literature, separating the wheat from the chaff, essentially deciding what is good or bad for the reading public.
I might not agree that power should always be placed in the hands or corporations, or their self-serving minions, but there is a certain comfort to be had in the idea that someone, somewhere, is 'filtering' out the garbage, the worthless, the obnoxious, the inciting, the hatred and so on. I think we need that. Why? Well, I've never tried to be a singer, but if you'd heard me sing you'd be glad someone, somewhere would stand in my way saying 'stop... go back!'.
Indie authors have decided to take on the publishing world, claiming the right to be heard, to make their work available to the public. And they have every right to do so. But here is the problem; most indie authors don't apply what I call a 'quality filter' to their work and, even worse, are incapable of seeing the difference between what traditional publishers would call 'good' and what they'd call 'bad'. In the words of best-selling author Sue Grafton;
"To me, it seems disrespectful…that a ‘wannabe’ assumes it’s all so easy s/he can put out a ‘published novel’ without bothering to read, study, or do the research. … Self-publishing is a short cut and I don’t believe in short cuts when it comes to the arts. I compare self-publishing to a student managing to conquer Five Easy Pieces on the piano and then wondering if s/he’s ready to be booked into Carnegie Hall."
Um, she has a point, don't you think? The truth is that indie authors are getting themselves a bad name; with traditional publishers, with agents, with mainstream authors, with book bloggers and so on. 'Who cares?', you might say, 'it's about time their market control was overturned!'
But it's not that simple. A more worrying trend is that indie authors are getting themselves a bad name with readers. Yes, readers! Readers are more aware these days of the ocean of mediocrity at their fingertips and are becoming more and more reticent to part with their hard-earned cash to take a chance on another 'indie' author, with all that this term implies. This mediocrity is essentially destroying the market. It's one of the reasons why indie authors are always giving away their work for free. They'll convince themselves it's a marketing ploy (promulgated by Amazon, see my post here), but the plain truth is that no one will buy their work. Why? Because it's trash. And the authors just don't know it.
Don't get me wrong; I'm not saying all indie publications are trash. There are some great indie authors out there, many of whom deserve better recognition than many traditionally published authors (some of whom really suck! I'm mentioning no names!). But, they are the exception. The vast majority of indie publications are not just mediocre, they are absolute trash. This isn't my arrogance talking; it's the readers themselves who have decided this, and it isn't hard to find the evidence for it.
So, what can be done about it? Well, as an indie author, you should try to apply some sort of 'quality filter' to your work. This isn't easy because it requires moving beyond your own conceit and self-adoration. It probably also involves learning a whole new set of skills.
In a subsequent post I'll be outlining some of the things you can do to develop your 'quality filter' and hopefully claw back some of the respectability that indie authors deserve. It may be too late, but we owe it to ourselves to at least try to gain the reader's trust again.
Once upon a time, not so long ago, 'literature' was a respectable part of the art world. Authors were mysterious intellectuals, removed from society, tortured souls poring over their foolscap notepads with quill in hand. They were just names, often widely-known ones, like A-list celebrities with no public face, controversy or paparazzi. The authors' agents, dark figures sifting through their ever-growing slush pile of tales, held sway over a global industry from behind locked doors. The authors' publishers were equally elusive, a forbidden realm for those with literary aspirations, with the ability to put their clients names right into the homes of the reading public and on billboards throughout the nation.
This 'literature' industry is still there, bubbling away to itself, but in the last decade or so it has seen a tidal wave of competition. Not competition from merely the digital revolution, which it has successfully embraced, but the empowerment that technology has brought to the 'independent' author. Mainstream publishers, and many mainstream authors too, are vocal in their opposition to the evil of 'self-publishing'. Indie authors are a demonic race debasing the art of 'literature'. Traditionally, publishers have regarded themselves as the gatekeepers of this literature, separating the wheat from the chaff, essentially deciding what is good or bad for the reading public.
I might not agree that power should always be placed in the hands or corporations, or their self-serving minions, but there is a certain comfort to be had in the idea that someone, somewhere, is 'filtering' out the garbage, the worthless, the obnoxious, the inciting, the hatred and so on. I think we need that. Why? Well, I've never tried to be a singer, but if you'd heard me sing you'd be glad someone, somewhere would stand in my way saying 'stop... go back!'.
Indie authors have decided to take on the publishing world, claiming the right to be heard, to make their work available to the public. And they have every right to do so. But here is the problem; most indie authors don't apply what I call a 'quality filter' to their work and, even worse, are incapable of seeing the difference between what traditional publishers would call 'good' and what they'd call 'bad'. In the words of best-selling author Sue Grafton;
"To me, it seems disrespectful…that a ‘wannabe’ assumes it’s all so easy s/he can put out a ‘published novel’ without bothering to read, study, or do the research. … Self-publishing is a short cut and I don’t believe in short cuts when it comes to the arts. I compare self-publishing to a student managing to conquer Five Easy Pieces on the piano and then wondering if s/he’s ready to be booked into Carnegie Hall."
Um, she has a point, don't you think? The truth is that indie authors are getting themselves a bad name; with traditional publishers, with agents, with mainstream authors, with book bloggers and so on. 'Who cares?', you might say, 'it's about time their market control was overturned!'
But it's not that simple. A more worrying trend is that indie authors are getting themselves a bad name with readers. Yes, readers! Readers are more aware these days of the ocean of mediocrity at their fingertips and are becoming more and more reticent to part with their hard-earned cash to take a chance on another 'indie' author, with all that this term implies. This mediocrity is essentially destroying the market. It's one of the reasons why indie authors are always giving away their work for free. They'll convince themselves it's a marketing ploy (promulgated by Amazon, see my post here), but the plain truth is that no one will buy their work. Why? Because it's trash. And the authors just don't know it.
Don't get me wrong; I'm not saying all indie publications are trash. There are some great indie authors out there, many of whom deserve better recognition than many traditionally published authors (some of whom really suck! I'm mentioning no names!). But, they are the exception. The vast majority of indie publications are not just mediocre, they are absolute trash. This isn't my arrogance talking; it's the readers themselves who have decided this, and it isn't hard to find the evidence for it.
So, what can be done about it? Well, as an indie author, you should try to apply some sort of 'quality filter' to your work. This isn't easy because it requires moving beyond your own conceit and self-adoration. It probably also involves learning a whole new set of skills.
In a subsequent post I'll be outlining some of the things you can do to develop your 'quality filter' and hopefully claw back some of the respectability that indie authors deserve. It may be too late, but we owe it to ourselves to at least try to gain the reader's trust again.
agree 100%. I no longer buy ebooks that are offered free or for 99 cents. At a minimum, a indie author should spend the money for a good editor. Keep up the good work. Michael McLarnon
ReplyDeleteMichael, I agree about the 99c or free ebooks. You might as well advertise it as "this is so bad I'm not going to ask you for any money for it!". Cheers
Delete*Like!* Well, Michael, you have therefore moved from the crowd of freebie seekers into the select market of discerning readers.
DeleteIt won't make the freebie seekers go away, nor the freebies, but thank you for your discerning, high-class attitude.
At P'kaboo, though we try to price our books competitively, there is no such a thing as an unedited book. You don't want editing - go self-publish.
And yes, nevertheless we have a couple of free books online - or should I call them "teasers"...
I would like to see any book that has not one Vampire or a Loose Woman in it. That should cut back the volume of 'Indie' books by about 95%!! (Just a thought!)
ReplyDeleteHow about a loose vampire? No, wait, that's been done!
DeleteI completely agree with you! I steer clear of most indie stuff because it's not worth my time. I've been disappointed far more often than I've been amazed.
ReplyDeleteI'm an indie author, with one book out. But I didn't take any shortcuts. The sucker's had six rounds of edits, one of them professional, and it has a professional cover. I've spent YEARS learning the craft of writing and have invested several thousand dollars in that learning. And I didn't bypass the traditional publishing treadmill either. I put my time in on it and learned from my rejections.
Unfortunately, most indie authors skip these vital steps. Especially investing in learning the craft.
Rachel, good on you for taking the moral high-ground. For me it's also a matter of pride, taking the time (or spending the money) to get it right...
DeleteYou can tell the garbage from a mile away by the terrible cover art.
ReplyDeleteYes, that's one of the items I'll be dealing with in a subsequent post...
DeleteAlastair, you'll find this interesting. It's my response to a post by Michael Yglesias, which is diametrically opposed to this post of yours.
ReplyDeleteThe Fundamental Uselessness of Book Publishers
The point you made about mediocrity is exactly why readers need publishers.
Authors need publishers to refine their work (if it is in the first place worth refining) and to market for them.
I am thrilled to discover along with you that many readers are becoming more discerning, but I also have old news for you... the amount of "tire-kickers" who surf the net for freebies only has gone up exponentially, and they are mostly the young readers. They are cutting their teeth on - horrors - first drafts and basically unpublished, publicly visible manuscripts.
They will grow older; their time will become limited. Perhaps they will stop reading. More likely, they will start discerning, reading less but better quality.
Both markets exist, independently from each other. One has precious little to do with the other. But if as a self-respecting writer you actually want to be paid for your stories, you had better bite the bullet, get an editor to fix up your work, and submit...
A very interesting read, thank you! Let's hope those tyre-kickers grow up and get some discernment! In the meantime, we'll keep paying the copy editors...
DeleteI self publish children's books and have to say it is not in any way a short cut. Anyone who thinks it is and uses it as such cannot truly call themselves an author. For 3000 word stories I often go through 4 rewrites and two final proof reads (at least one by a professional). Plus I have to coordinate my illuatrator and deal with the marketing. It is damned hard work. I can see the value of my work because schools are begging me for more, parents are begging me for more and, most importantly, children are begging me for more. I also read a lot of indie work for adults and have come across some real gems. I have also come across a great deal that could have been real gems with a good editor and a few that clearly self published because no way were they getting published any other way. There is no right way to go about publishing, not when it comes to traditional vs independent, but any way that does not involve beta readers, editors, proof readers and a lot of hard work is definitely a wrong way.
ReplyDeleteSarah, thanks for your comments. It is hard work. And you are right, there are no short cuts to getting professional and valuable publications. Those that cut the corners, or are just not very good, are making the work even harder. Good luck!
DeleteI'm an Amazon reviewer. I no longer accept indie books because of the reasons you recommend.
ReplyDeleteAs I post on a mention of your piece on FB:
"There is an excellent point in there about filtering out the garbage. A vetting system would be nice -- if there was a way to put a stamp on a book to say, "actually edited, written above third grade level." Lots of indie authors meet that standard. Too many do not."